Vivi il museo per un anno intero, tra mostre e tante iniziative.
MAXXI is dedicating one of its galleries to a permanent – and free for all from Tuesday to Friday and every first Sunday of the month – display of its own collections.
On the occasion of the 15th year anniversary, the exhibition of the finalists has been enriched with a documentary section devoted to the eight previous editions
The first monographic exhibition in Italy devoted to the work of the Pakistani-American artist.
Between tradition and innovation the architecture of the Japanese house recounts an entire culture
Not far from the celebration of her eighty years, MAXXI pays tribute to the author from Palermo with a major exhibition.
A guided tour of the Permanent Collection and the exhibition Letizia Battaglia. Just for passion.
An investigation of the multiple and deep-rooted motivations that link the architect and designer Carlo Scarpa to Japan, on the occasion of the exhibition The Japanese House.
Drawings, projects and objects that reveal the great Portuguese architect’s relationship with the sacred, in dialogue and contraposition with the museum spaces
From MAXXI to CivicoZero, a photographic exhibition facilitating an approach to art and encounters with the other
Il primo festival cinematografico curato con la partecipazione attiva di persone nella condizione autistica
Over 60 works including paintings, photographs, videos and installations in the first Italian exhibition in collaboration with MOCAK, the Museum of Contemporary Art in Krakow
Composed of 11 artists, BASE recounts, through videos and documents, its 18 years as an independent space in Florence.
Un incontro per ripercorrere l'opera architettonica di Sacripanti, in occasione del centenario della nascita e del ventesimo anniversario della morte
Un luogo incessante per il consumo di pensieri e di visioni a occhi aperti: ciò che accade nel raggio critico di visione della vetrina è tutto il suo museo.
Una mostra con oltre 100 lavori realizzati da alcuni dei maggiori fotografi italiani contemporanei che hanno documentato il paesaggio attraversato dall'A3 Salerno - Reggio Calabria
Seminars with the protagonists of the MAXXI Collections.
Un incontro per presentare il volume di Luigia Lonardelli e il progetto di valorizzazione del Fondo Incontri Internazionali d'Arte, donato al Museo nel 2012
saturday 24/12 11.00-17.00
sunday 25/12 CLOSED
monday 26/12 SPECIAL OPENING 10.00-19.00 – ticket € 10
saturday 31/12 11.00-17.00
sunday 1/01 11.00-19.00
friday 6/01 11.00-19.00
for all those under 30 years of age; for groups of at least 15 people and affiliated groups; accredited journalists with a valid press pass; FAI – Fondo Ambiente Italiano members; holders of entrance tickets for the Museo Ebraico of Rome; Enel employees and a companion, on presentation of the corporate card and a valid identity document; for all members of families composed of two adults and at least one child (free for under-14s).
for students (over 14 years old) in class groups (secoind level secondary schools) purchasing educational activities.
valid for two entrances on two consecutive days.
valid for one year, starting from 7 December 2016 until 31 December 2017, this ticket allows you to visit the MAXXI and La Triennale di Milano. Ticket usable for only one access to each venue.
under 14 years old, disabled visitors requiring accompaniment, companions of disabled visitors, MiBACT employees, Lazio Region tour guides and couriers, 1 teacher for every 10 students, ICOM members, AMACI members, accredited journalists, MAXXI membership card holders; from Tuesday to Friday, free admittance for academics and university researchers in Art and Architecture;on your Birthday. Free admittance to the Permanent Collection (Gallery 4) from Tuesdays to Fridays and every first Sunday of the month. Click here for more information
The collections of the MAXXI art present themselves as a strong nucleus that witnesses the national and international artistic production
The MAXXI Architettura collections comprise all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture.
The Centro Archivi curates and manages the MAXXI's architecture collections and provides the possibility, inside the Sala Studio, to directly consult the documents and database of its twentieth and twenty-first century collections.
With the my MAXXI card experience the museum full time: unlimited and preferential access, reduced rates to participate to cultural programmes, educational activities and special events.
We need to be able to count on a network of benefactors, both in Italy and abroad, to enhance the museum’s permanent collection, guarantee the conservation of the works and present our public with an engaging cultural programme.
Donate your Cinque per Mille to the MAXXI Foundation
curated by Francesca Fabiani
The exhibition takes form around this apparently paradoxical statement, designed as an itinerary for a critical, new and annotated interpretation of the work of one of the most important figures in contemporary Italian photography.
Photographs and films illustrate the photographer’s career from the late 1970s to the present.
A retrospective that retraces Barbieri’s themes and research, underscoring his constant attention to the theme of perception, his capacity to envision and interpret reality. With his photographs this artist casts doubt over the conventional modes of representation, to instead breathe life into new narratives by means of continuous, incessant perceptive experiments.
A new work for the MAXXI collection. La città perfetta by Olivo Barbieri: thousands of images in...
Cattolica-Rimini, 2015 - Olivo Barbieri © Olivo Barbieri
A new work for the MAXXI collection. La città perfetta by Olivo Barbieri: thousands of images in movement that describe from above 400 km of the Adriatic coast from Vasto to Ravenna, traversing the Abruzzo, Marche and Emilia Romagna regions.
This work, commissioned by MAXXI Architettura and created with the support of Eni, is on show at the museum from 11 November 2015 through to 10 January 2016, within the ambit of the anthological exhibition Olivo Barbieri. Immagini 1978-2014.
Olivo Barbieri says: “LA CITTA’ PERFETTA is a stinging film of 7,942 stills shot from above inserted between primary colour frames: red in the summer; red, green and blue (white) in autumn – and 22 short movies from the ground, which tells the tale of a particular area, without applying to a documentary or descriptive approach”.
Full of history, geography, economics, tourism, beauty and horror, the Adriatic City – considered to be perfect for its exemplary mid of quality of life and ecological waste – shows more clearly than elsewhere the complexities and contradictions of contemporary urbanism in which physical distances are not important and “beachside” roads and railways dominate, the advance of new industrial technologies conflict with the survival of the landscape, everyone wishes to live in a single family dwelling and it is impossible to understand whether the building we are looking at is an urban, rural or touristic home or perhaps a small productive nucleus. Or even all this together. In order to recount an area so specific yet recurrent throughout the world, MAXXI asked Olivo Barbieri to climb aboard a helicopter once again and filter through his vision the images of beaches and monuments, motorways and industrial plants, the examples of excellence and the gaping wounds that characterise locations ranging from the crowded beaches of Rimini to Urbino’s Palazzo Ducale, from Vanvittelli’s Lazzaretto to the river valleys invaded by houses, villas, factories and warehouses, often designed by well-known names.
The Adriatic and the Mediterranean in general, through the contradictory flows of clandestine emigration – illegal and tragic – and the entertainment industry – extremely well-organized – is perceived as hyper-productive and at times aggressive. When reality is perceived as aggressive, then the images become so too. La città perfetta is a device that produces visual stimuli, memories of the places enter the imagination through the offended eye. It creates unexpected trajectories and temporally and spatially redefines that which we had believed to be consolidated.
Curated by Pippo Ciorra with Francesca Fabiani and Cristiana Colli.
The work has been created with the support of Eni and thanks to the collaboration of the State Forestry Corps and the Associazione Demanio Marittimo KM – 278.
Special thanks to the Regional Division of the State Forestry Corps of the Marche region and the State Forestry Corps’ Aircraft Operations Centre.